23
 alita. 

 penmanship     back     next     2010 



thursday; august fifth, two thousand ten.

so, somebody is moving back to la.

the overwhelming response of neighbors, friends, family, exes to this presentation of news has been: but don't you like new york?

let's get this straight: i love new york.  i love new york like woah.  i'm pretty sure that at some point, when where i live matters less to my career, i will return and be very happy.  i will no doubt live in the east village or grammercy or the flatiron district or hell's kitchen or even up in idyllic astoria.  i will mark the changes of season out my window, watching the giant oak down the street turn vibrant orange, shed its leaves, collect snow, shed snow, bud neon green, and grow into the beautifully-draped giant green wonder that i see out my window now.
i know that when i go to la i will have a few good cries because i'm not here.

but here i've had numerous moments of step-back-and-review clarity where i know that it doesn't matter where i live if i'm not acting and getting paid for it.  i could be in my favorite city, bartending and playing in a band and doing little stuff here and there, and i will not be happy.  two more years down the line i will wake up as if next to a sleeping boyfriend, realizing that somewhere along the line he held me back, and resenting the fuck out of him.  i don't want to do that to new york.

and we know how i feel about mary's city:

Los Angeles is mostly road. Los Angeles is randomly scattered black ribbons of highway with yellow and white lines and dashes - a grid of mystifying meaning - with shiny metal mechanisms zooming this way and that, their steel-shaded hoods reflecting the sun back to the heavens (and into my eyes), and at night millions of white lights blink and shimmer as they go one way and millions of red lights flash and glide as they go another. Los Angeles is the helicopters that hover over the traffic jams and nine-car crashes. Los Angeles is my second car - bought for safety, not for speed. Los Angeles, no matter how detailed the map or how precise the directions, tries its hardest to take me somewhere new. Contrary to popular belief, Los Angeles is the journey - not the destination.

My new car is silver like steel with little flecks of mirror paint to bounce the sun back to the heavens and into my eyes. It has a cassette player for all my mix tapes and a driver's side window that, indeed, effortlessly rolls down. It has a gas pedal and a brake - no clutch because it's an automatic. It has California license plates and very few smog-making emissions. It has a back seat that folds down to make a bigger trunk. Its gear shift is between the passenger and driver seats, not on the steering wheel. Its emergency brake shift is behind the gear shift. It's large but small for a large car. I know deep inside that it's a she - my first female car - and now I'm not afraid to drive a chick around. She's dependable and reliable and I can't wait to plaster the perfect bumper sticker on her behind. I'm very happy about my new car. I'm quite sad that my new car isn't really mine at all - it's his new car because his parents are paying for it. I don't think I'm going to have a car that's really mine anytime soon. So I'll make do with her. I found her, anyway, so I should have at least some pride in her.

I find it funny that Los Angeles's full name is translated to "The City of Our Lady the Queen of the Angels of Porciuncula". So, really, it isn't the city of angels at all - it's the city of Mary, mother of Jesus. I wonder what she thinks about her city. It certainly isn't very immaculate, though there seems to be quite a bit of the conception part going on. I wonder what Mary thinks of the seemingly infinite grid of asphalt and lit cars zooming this way and that. I wonder what Mary thinks of bleached hair and tanned skin and overpriced clothing and studio loft apartments and Indian food and the Red Hot Chili Peppers and Tinsel Town and the Staples Center and the yachts parked down near Long Beach and the desert and the city fighting the desert and the images projected in the theatre in the school near the very tip of the end of the county. I wonder what she thinks about me zooming this way and that in my new chick car with the driver's side window rolled down and the radio singing. Mary, mother of Jesus: I think there are many other people whose names would be far more appropriate to use as a title for this city. Yet your name on this city is amusingly ironic - especially since everyone's seemingly deleted your part of the name and is just giving the angels the credit. I wonder what the angels think about that too.

Not much of Los Angeles is really something to write home about. There are a lot of chain stores and chain restaurants, a lot of nondescript homes, a lot of strip malls and plain old malls and unoriginal architecture and parking garages. Even the lavish homes and buildings are laughably so, laughably out of place with the rest of the city. I think the thing about Los Angeles that sets it apart from all other cities is what's between the buildings - the roads, and the people in cars on the roads, and the constant travel towards a destination that immediately changes when reached. Cell phones in the car, police cars around the cars, big gristly wrecks - modern art performances made by the cars. Earthquakes that makes everything move around a bit. This is a city of movement, and the faster the better. Our angels must be having a heck of a time trying to keep up. Los Angeles is the everyday people in their everyday cars going to their everyday places, and talking on their cell phones without using their turn signals, with their angels frantically flying behind them.

I am drinking echinacea tea. The paper attached to my tea bag says, "Recognize that the other person is you."

I don't see much of that going on in Mary's city. People are all trying to be different to be special to be important, and by trying to be different they must make everyone else different from themselves. I see a lot of alienation in Mary's city. I wonder exactly what Mary thinks - the woman who sacrificed her life for a son who was destined to make everyone see one another as themselves. I wonder what she must think, now - when we've gone back to being us and they're them again, and there are still feuds and wars and corruption and envy and pride and prejudice. I'm sorry, Mary. Hopefully it wasn't all in vain.

Those streets are dry and dusty, because it rarely rains here. When it does rain the whole city breathes a deep sigh, and we're all the same in the fact that we're all exhaling, and then all the cars without anti-lock brakes freak out and cause nineteen-car collisions on the highways because roads that are newly wet with all the debris and dirt and dust and oil from months of no rain are seeping up from the asphalt - and nobody in Mary's city knows how to drive in the rain.

Ah, Mary - we still love you. We decorate everything in a fake winter celebration even before All Soul's Day is over and gone, and we spend too much on gifts for others, and perhaps its the only time in the year when we think of others - "What would she like for Christmas?" Even if we do temporarily put ourselves in someone else's shoes for the sole purpose of commercialized celebration - we still do it, don't we? We still see one another as ourselves.

Ah, Mary - take the wheel and show me where to go. Let the angels fly with me and keep me from harm. Let my dual air bags and crumple zones work if I zoom too far ahead of them. Keep the roads alive and their drivers dreaming. Most of all, Mary - keep your city safe. Amen.

from Bijou Mondays, 2002

well.  there's the resenting the boyfriend part.  but that was a long time ago.  over half the time i spent in los angeles i spent not resenting a boyfriend.  at lest not the same one.  that's not fair.  i'm just a little snarky because 2002 is a sensitive subject.  but i like that novella i wrote so i felt like sharing a little of it.  and i will shake off the snarkiness. 
okay, it's gone.

i'm actually quite at peace about going back.  there's the gnawing "but what if i don't save enough"...to this i say: for once, there's no time limit.  i can honestly go whenever i want to.  yes, i'd like to be there for pilot season (and to avoid another new york winter, which in spite of the snow on the oak can be rather brutal and anyway i don't like cold), but if i miss another one the world shall not end.  that said, i predict that i won't save "enough money" and will go out anyway.  because what is "enough"?  how many thousands?  there's always some expense.  for one, there will be the car buying.  cars are always more expensive than they seem.  cars, in fact, are the black hole in which money is poured into.  i will do my best to buy something built for comfort and not for speed.  something that winds up costing the least...but is not entirely soulless. 
not for the first time i'm thinking of the storm trooper, which i sold two years ago last month, and winston, my very first car...honestly, i'd forgotten about the saturn i was talking about.  it really wasn't my car.  fortunately, i got both the storm trooper and my freedom soon after writing bijou.  anyway.

i've been giving my mind some space.  transcontinental moves are only as difficult as you make them, but it'll be a big change and for once the impetus is entirely my own.  i'm not graduating; my boyfriend is not moving; my dad did not just die.  i'm saving up then going.  but there's still a little reeling going on, a little trying to take in what that decision means.  now everything has that decision between it and me.  now i look at my bookshelf and think, most of these aren't coming with me.  i'm already sizing up what's in my closet and wondering what i can part with and not regret later.  i've learned that to be the key of moving: what will you regret getting rid of the least?  clothes and books can always be bought, so what should i keep that i'm pretty sure i'll be thankful i kept?  the vintage alanna books: definitely going.  most of the acting books are going.  the oversized blue and white admittedly ugly sweater i've had since some point in high school when it magically materialized in my dresser drawer (hi, this is an alliterative sentence) must go. 

you just want to remember that you have a past, but not remember enough to feel stuck in it. 

heather and i are saying tearful goodbyes already.  if all goes to plan, she'll take the cross-country drive with me.  this is fucking fantastic.  we'd always talked about going on a road trip, walking the streets of new york.  we'd share cigarettes and sweets and laugh deliriously and dream of big road trips.  and now here it is.  i am absolutely positive i will miss heather the most.  when i go to sleep in my bed in la crying for new york, at least every fifth tear will be for her.